How Dorothy Dunnett Ruined Me for Writing Category Romance

**Spoiler Alert! If you plan on reading these books and like surprises then stop reading now. Right now. This instant! **

**I mean it.***

**Well, okay, but don't say I didn't warn you.***

I like subtlety. My very favourite historical romance in all the world - The Lymond Chronicles by Dorothy Dunnett, that I first read at the tender age of 15 - was chock full of it. I liked the way nothing was ever semaphored in large, friendly letters, merely hinted at. Whispered. I liked the way that sometimes I had to go and re-read parts just to see if what I thought happened, actually did happen. Or that I'd missed something that I should have picked up on. I liked how you had to pay attention to the most seemingly innocuous conversation because it might contain some clue to a character's emotional state or to their past. Or how even the way they were standing was some hint as to their deeper emotions. I liked the way there was ALWAYS a subtext going on and how half the fun was guessing what exactly the subtext was. And I liked the way you hardly ever got the hero's POV because it kept him mysterious.
But most of all, I really liked how my best friend and I used to argue for hours about questions the answers to which were never clearly answered - what really happened to his father? What was it with his mother? Was the boy who died really his son or the son of his enemy? Was he really in love with the woman in book 2? And what exactly was the nature of his relationship with the Turkish prince in book 4?
In fact, those questions and many others, kept a whole web discussion forum going for years and probably still does. But that's beside the point. I loved the subtlety of it and I read and re-read those books over and over again, just to see if could pick up any more bits and pieces of information that I'd missed the first ten times I read it.

I loved that subtlety SO much that I swore, as a writer, I would never hit my readers over the head with conflict (actually, I didn't really know what conflict was back then but you know what I mean), that I'd dole out little bits of information like cheese before mice, leading the reader into the story but perhaps never revealing anything too much till later. If at all. I'd give them little puzzles so they would be fascinated about my characters motivations and perhaps go and re-read bits so they could maybe pick up on something they'd missed. And I'd also keep my hero very mysterious and not give him a lot of POV so no one would know quite what he was doing or why until right at the end. Oh yes and I'd torture him lots too because there's nothing like a tortured hero.

And I bet you can guess how well that worked out when it came to writing category romance.

It didn't.

I blame Dorothy Dunnett and Francis Crawford of Lymond completely for my inability to get to grips with category romance. And I have to repeat to myself daily what worked for six 500 page books published in the 60s will not work for one 50k book published in 2010.

So, no to subtlety. No to little reader puzzles. No to carefully hinted at emotional states. No to mysterious motivations. No to limited hero POV. No to roundabout dialogue where the characters talk about everything but the thing they actually need to talk about. Oh and BIG nos to torturing your hero with opium addiction (seriously!).
Yes to have that conflict in the first chapter. Yes to being absolutely clear as to the motivations of your characters. Yes to the reader knowing more than the characters do NOT the other way around.

Still, I suppose if Dorothy Dunnett had actually written on the first page 'Francis Crawford had always secretly feared he was the secret lovechild of his mother's affair with her husband's father' then I'm sure there would not have been six books to write.*

Anyway, that's my excuse as to why this category romance lark is so damn difficult for me and I'm sticking to it. :-) And you'll be pleased to know that I have actually broken the habit of a lifetime and in the latest couple of WIPS, got out my conflict stick to beat the reader over the head with it. :-)

So, question for the day - have there been any particular book/books that have had an influence on you as a writer?

*Note: okay, so that's kind of a spoiler. Sorry. But it's only part of the conflict not all of it. Or is it? You'll have read it to find out. And you may come to an entirely different conclusion. :-)

Neutering the Bad Boy

It's funny the things you find out about your characters that you don't realise until you've written The End. Have done the HEA for the Hammer Pants ms (actually they're Hammer Capris since I've come up short on the word count) and figured I've been pulling back on my hero. I wanted him to be a bad boy - hey he knows it and has been trying to tell me so it's not his fault - but actually, he's not all that bad. In my efforts to make him sympathetic, I've neutered the poor man. Which kind of defeats the purpose of his conflict and may be one of the reasons I was struggling with the ms. Never a good thing to do with an alpha. So one of the many pieces of tailoring I have to do to the Hammer Pants to get them looking like Chanel is to give my poor bad boy back his cojones. He's not a happy lad, let me tell you, and he did not appreciate my efforts to contain him.

Such are the joys of the alpha male.

Anyway to give myself a bit of alpha practice, I've been redoing my Frenchman to suit Presents/Modern. Yes, it's quite different to writing MH but to be honest, I'm quite enjoying releasing my inner emo. As you know, I LOVE teh angst. Bring on the drama, the torture, the sexy darkness! You can't go too dark with MH - at least not as dark as I want - so letting it all hang out with a bit of Presents is actually quite liberating. Anyway, I always had a sneaking suspicion that the Frenchman erred on the Modern side of the Modern Heat line so it's not been too much work to pull him completely over it. And I have to say, he's happier as a Modern hero. His voice in my head wasn't ever MH and so the rest of the ms is not all that MH is tone either. In fact I'm secretly thinking of sending the first chapter to SYTYCW, just to see what happens. Hehe.

So what's everyone else doing? Neutered any bad boys lately?

Hammer Pants Get a Prize

The rollercoaster has been up and down this year, mostly down it has to be said, so I was pretty pleased to be told last night that the MC Hammer Pants ms finalled in the RWAus High Five contest. Apart from Feel the Heat two years ago, I've done poorly in most contests I've entered. Often I get a couple of judges who loved the entry but also one who HATED it. So this time I appear to have lucked in. Very happy about it but also extremely surprised because I was sure the ms wouldn't get anywhere at all.

Anyway, the High Five consists of the first five pages of an ms (no synopsis - guess why I entered??) so I'm not sure if that's enough to warrant a request but I would be very happy if so. There is one problem with a request however. I have changed the beginning of the story completely since I sent off the entry! Argh!! Not sure whether to continue with it the way it is now or not.

Oh well, will wait and see what happens. In the meantime there's my SYTYCW submission which I'm tearing my hair over since it's a little something different, plus the wait on my MH chapter and synopsis. Crossing fingers that perhaps the rollercoaster will continue its upward climb...

How's the rollercoaster doing for everyone else?

PS. Big congrats also to my lovely CP Rach and my lovely blog friend Jo Dixon who also finalled.

Pants!

You know that 13k? Best. Deletion. Ever. Yes, indeed, sometimes starting the whole thing again is the best thing to do. Because now I am at 25k and thinking it's not total pants. Okay, so that's a lie, it IS pants, just not saggy, baggy, smelly, held-up-with-string pants. More like dodgy tracksuit pants. Or gold, sparkly MC Hammer Pants. Yep, I think I'll go with the MC Hammer Pants ms, because hey, there is the requisite touch of luxury in that it is set in a VERY nice hotel. That's probably the only good thing about it in many ways but you'll all be pleased to know that I am not going back and editing. I am doubting nearly everything about it but I shall press on. At least the tone is right and the conflict is okay. Probably. Maybe. Who knows?

What I do know is that after Nano is over, I shall be left with a pair of gold MC Hammer pants that I will need to tailor into a Chanel couture ball gown. Which is easy right?

So how's everyone else's Nano looking? Do you have Hammer pants too?

The 17 Step Method

Why is it that the more you know, the harder it is to write? A couple of years ago, my process was this:

1. Have an idea.
2. Write it.

Excellent huh? But then came along this pesky thing called craft and things changed, and so did my process. It became something like this:

1. Have an idea
2. Work out the conflict.
3. Sit down and write it.

Nowadays though, I know more. So at the present time it's like this:

1. Have an idea.
2.Work out the conflict.
3. Figure out the backstory.
4. Figure out the characters.
5. Determine character arcs.
6. Think about a vague synopsis.
7. Sit down and write it.
8. Stop. Realise you haven't thought about the backstory deeply enough. Repeat Step 3.
9. Continue writing.
10. Stop. Realise you haven't really got a handle on the conflict. Go back to step 2.
11. Keep writing.
12. Stop. Realise that your beginning sucks and you've started in the wrong place.
13. Start again.
14. Stop. Realise that your conflict actually sucks.
15. Try to keep going despite it, hoping it'll all work out in the end.
16. Stop. Realise that it's not going to work out and your whole story sucks.
17. Give up, go get a martini and watch Spartacus instead.

No doubt, in another year or two it'll go something like this:

1. Have an idea.
2. Decide to bypass all the crap by proceeding directly to step 17.

Does anyone else have this problem or is it just me?

Delete, Delete, Delete

Did you hear that?

*screams*

That folks is the sound of thirteen thousand words being deleted. Such a great start to Nano huh? Writing this reunion story has been like pushing the proverbial excrement up the proverbial hill and yesterday I was going to give up the whole story in complete disgust and wander around wailing and rending my garments. But in a last ditch effort, I followed a bit of advice handed out by CPs and a few lovely blog readers, and wrote a scene that occured in the past - the black moment where my couple's earlier relationship broke up.

Now this, my friends, is a most excellent way to go and if you are having conflict issues and can't work out a character's history, writing it out is extremely helpful. Of course, in writing out this particular scene, it has resulted in the loss of 13k. So perhaps helpful isn't quite the right word. Still, better to know the problem now than in another 40k or so when I would have to rewrite the entire story.

Anyway, the problem was I had started the story in the wrong place and made the hero do something he wouldn't, thereby creating a lot of complex backstory, with lots of offstage revelations, just to get him to do what I wanted him to do. I thought he realised breaking up with the heroine the first time round was a mistake but it wasn't until I wrote out some of his past that I realised that he didn't think it was a mistake. He thought he did the right thing. And it's not until he meets her again that he realises he didn't.

And so I'm having to start the entire story again. It sounds horrendous to get rid of all those words and it is, but the start I had won't work with the conflict now, and if I keep going with it in its current form, the entire story will probably fall to pieces. Probably. I don't actually know of course until I start writing it but one thing I am certain of, if the story feels too hard to write then there is a problem with it.

Still, depressing start to the month I have to say. Anyone have other depressing deletion stories?

On a happier note, big congrats to Leah, winner of the New Voices comp! Fabulous news, m'dear. We'll have lots to celebrate next RWAus huh?

Dealing with the Whataboutmes

Trying to haul myself out of the blahs with a post over at the Sisters about how to deal with a bad case of the 'whataboutmes'. And if you want to know what they are, here's the link:

What about me?

If you don't, here's a picture of Andy Whitfield from Spartacus instead. Are you not entertained? ;-)