Putting the A in A-Hole

I've been writing more of my dirty virgin hero and pondering the mysteries of what makes a hero an a-hole for some readers and yet not for others. It's an interesting question. I've read books where the readers hated the hero and I haven't really been able to understand why because he seems fine to me. And yet I've also read others where I think the hero is a douche and yet readers rave about his dreaminess (not looking at anyone in particular FSOG).

I guess I'm pondering this more as I'm doing final edits for Finn and knowing that after these are done, he'll be going out to reviewers and OTHER PEOPLE will be reading my book!! People who might think he's a total douche and don't get why he should be with my heroine.

As well as being totally freaked out by this, I'm also kind of sanguine because hey, not everyone is going to like your books or your characters. But that being said, I'm interested to know what pushes people's buttons when it comes to a hero.

Myself, I'm very forgiving of heroes.  If the motivation is there, he can get away with anything basically and I hate it when writers water their heroes down in the name of political correctness or because they're trying to make him overly sympathetic. If he's angry, I want to be shown his anger and if he's angry with the heroine then so be it. Because why should heroines be the only ones who are allowed to get angry? Male anger is just as valid as female anger. Emotions like that, the 'flawed' emotions, also make them more real. Because I don't want to read a book about perfect people. Perfect people are boring. Political correctness is boring. Too sympathetic is boring.

I read a Presents a week or so ago and some of the reviews on the M&B site said that the hero was awful and some said the hero was awesome. So I bought the book to see what it was about the hero that polarised people, and well, now having read it, I can see why. He was wonderfully, gloriously arrogant and selfish and some of the things he said made me laugh because they were SO outrageous. I thought he was adorable because he'd totally embraced his selfishness and was out and proud about it. I loved it from a writer's perspective because the author did not pull back on him and I loved it from a reader's perspective because I could see how completely he was deluding himself.. You know he's going to fall HARD. In fact, for me, the more arrogant and jerky the hero, the more I love it simply because of that payoff.

And I suppose that's the rub for me. If there is no payoff, if he doesn't fall hard, if he doesn't grovel, then that's where he crosses my line into douche-land.

So, I guess that's what I'd like to know - what puts the a in a-hole for you when it comes to heroes?

A Hard Man is Good to Find - Fear of the Alpha

I think you'll all know by now that when it comes to heroes, I'm an alpha girl all the way. I like a hard man. A man who doesn't take any crap from anyone. A take charge, protective man. And most especially a tortured man. Mmmmmm....tortured man....*Homer Simpson donut noise*

Ahem.

So anyway with all this alpha-love going on around Ashenden House, it annoys the crap out of me that in my latest WIP I keep softening up my hero. I kept doing it with the skeikh and I did it in the ms before that too. In fact I keep softening them up so much that they may as well be blouses instead of alpha heroes. And not in the billowy, loose, cool pirate shirt way. More in a frilly, girly way. May as well have put a pussy-bow on them and called them Fanny.

I know why I'm doing it of course. In my head I'm thinking frantically 'he MUST be sympathetic!'. And 'there MUST be some soft moments right NOW!'. And 'he MUST be likeable!'. Argh. So I keep making him gentler, making him likeable and sympathetic and....well....soft. Which for an alpha Presents hero isn't really all that good. Because people don't read them because they like soft men. They like them because of their powerful, alpha hot men. Who aren't soft in ANY way.

Sigh. My real problem is the fact that in the last couple of WIPs my heroines have been strong. Very, very strong and ballsy. And that's a problem because you have to have a hero who is even stronger and ballsier than she is. He must win their encounters - at least at the beginning. Which kind of scares me a little because I'm worried about all the things like not being sympathetic, not being likeable, hearing the word 'alp-hole' in my head. Opening up that alpha box all the way is scary.

However, what I need to remember is this: his motivation is EVERYTHING. No, he may not be likeable. No, he may not be sympathetic. What he needs to be is understandable. He has to have good reasons for doing what he does and if he's properly motivated he can get away with a lot. I know I'll forgive a hero a lot if I can understand why he acts the way he does.

The second thing I have to remember is that at the heart of the alpha is a good man. Whether he thinks he is or not, underneath everything, he's the protector, the carer, the defender. Yes, he can act like an a-hole sometimes when he believes he's right. Yes, he might sometimes be a little scary when he's threatened. Yes, he'll fight like crazy not to be vunlnerable. But fundamentally he's a good person.

Which brings me to my current WIP. I need to get over my fear of letting my hero be who he is, which is one hell of an angry SOB. So angry in fact that my MOC story is turning into a revenge tale because he was NOT happy with just a MOC. He wanted more.

So I can't go softening him up because it's not in his character (soft guys don't really pursue revenge so single-mindedly). Plus the fact that his heroine won't take any crap, especially from him. In fact the past couple of days I've been rewriting a particular chapter because I realised I'd pulled back on him. So I rewrote it and just let him have his head and honestly, writing it was like watching a car-crash. You just can't look away. I kept writing and thinking, 'what did she say to him? Oh my god, this is going to be bad'. And then I wrote more and it's like 'Oh no, he did not just do that!' It was actually kind of awesome. Because it finally felt like he was being who he was. :-)

Right, so, my lesson for all those afraid of the alpha, is basically don't hold back on him. Give him the proper motivation (and not just because his mummy didn't wuv him). And trust him to be a good man. He may not be intially sympathetic or likeable, but as long as the reader can understand him, then they'll forgive him a lot. Oh and if he's a really bad boy, nothing like a good grovel at the end. :-)

Anyone else have trouble with their alphas? Or are you a beta girl?

When Your Hero is a Complete *$%#&#

Okay, I'm admitting this up front - I love a good b*stard. I really, really do. I like reading about them and I loooove writing them. There's is something very satisfying about a sexy, arrogant SOB who gets his comeuppance at the hands of the heroine. The powerful, autocratic alpha male brought down by some cool chick who becomes his Achilles heel.
For me nothing beats the thrill  of reading when the hero does something particularly b*stardy and you're going 'no way! Did he really say/do that???'  And you're shocked because wow, what a b*stard, but secretly you're kind of thrilled because you never thought he'd go that far and yet he does. 

Maybe you don't find that thrilling but I do. And I admire an author who manages to pull off the b*stard and yet make him believable and sympathetic. I think it's a very fine line and probably depends a lot on the reader. One woman's hot button is another's 'whatever'.

Anyway, I'm writing this post because of my chess player. He is, to be blunt, a b*stard. And he's a b*stard to write as well because his character is very black and white (imagery!), not to mention screwed up. He does things where I have that 'I can't believe you just did that' moment. And for the past few iterations of this ms, I have been trying to pull back on him because...well...I'm afraid. I don't want him to go there because it's not 'heroic' or sympathetic. And yet every time I stop him the ms goes haywire because he's not acting in character.

So eventually I decided to let him have his head and it's made for a very interesting ms. Especially the end, where I broke him down totally and I finally figured out why he acts the way he does. And that, I have to say, was another 'I can't believe you did that'! moment. Yes, the b*stard was holding out on me and only revealed his true infamy in the last chapter and it's something that I need to consider whether to pull back or let be. I'm hoping I can pull it off. Only time will tell.

But the interesting thing has been figuring out how I can pull off a good b*stard without making him too unsympathetic and here are a few things that I reckon you need to make your b*stard hero work (as always, take with a grain of salt because, y'know, unpublished etc).

1. Motivation - you MUST have good motivation for him to do the things he does. Just because he's angry and he's an alpha doesn't work. Because deep down he's a decent guy - he has to be, he's the hero. So there has to be a very good reason for why he doesn't act like a decent guy at times. We may not like what he does, but if we understand it,we're more likely to forgive him.

2. Show some humanity - you need a save the cat moment. A moment where the reader can see his innate decency.  It can be something he says or, more often, something he does. I'm particularly a fan of something nice he does for the heroine.

3. The heroine must be his equal - now, I'm not saying she needs to be a b*tch to his b*stard.  She may actually be a quiet kind of heroine. I think this depends on what he needs as a character. Does he need someone to stand up to him? Or does he really need someone who forces him to be gentle?  What can she teach him? I quite like the heroine who doesn't get stroppy when he's being an a-hole but kind of calms him like a horse-whisperer calming a wild stallion. Hehe. However you do it, she needs to be strong enough not to take his crap.

4. At some point he has to recogrnise his b*stardy - nothing is more annoying that a hero who behaves like an ass and gets away with it. Here is where you need your heroine to call him on it. Maybe not immediately because b*stards take time to wear down after all, but at some point he HAS to recognise when he's being an ass.  And an apology is always nice.

5. Break him - this is the part I find most satisfying. The heroine must break him down, strip away the b*stard mask he's hiding behind, and find the true hero he is underneath. Maisey Yates has done a fabulous post on black moments so go read it because what she says is so true. You cannot hold back when breaking these kind of heroes. The b*stard hero will hold on to his b*stardy till the bitter end. And that's mainly because it's the b*stards that have the deepest conflict. The most terrible of wounds. He'll hold onto his secrets extremely hard because he's SO terrified of confronting them. 

6. Give us an ending where he's finally the hero he was always meant to be - mainly so we can see these guys have embraced the fact that they're actually decent men and can now act like it.

So that's my beginners guide to writing a b*stard. Anyone else got any great b*stard tips?? 

Every Good Alpha Deserves A Hobby

A week? Argh, naughty Jackie! My only excuse is that I've been hard at work this week getting in more contest entries. Yep, anything and everything, that's my motto. Gotta be in it to win it etc, etc...

Anyway, it's one of these entries that got me thinking about heroes. Heroes and hobbies to be exact. Hobbies?? Yeah, hobbies. I know, I know, brings to mind stamps and miniature railways and birdwatching (not that there is anything wrong with any of these!) and possibly anoraks. All of which don't seem to be particularly hero orientated. But bear with me.

First let me tell you that there is nothing cuter than a man in the grip of a small enthusiasm. Dear Dr Jax for example. He often has little fancies. Last month it was fish. He investigated EVERYTHING. Tanks, correct water PH, oxygen thingies, the proper food, lights, the works. You would think he was getting some terribly expensive tropical fish but no, it was fresh water guppies. But the kids got to choose a tank ornament each, and now we have a little aquarium in our lounge. Since then he hasn't looked at the fish and soon it'll be something else, but while he was interested there was something so utterly endearing about it that it got me thinking about my heroes and their 'things' (no, not that thing). :-)

A hero with a hobby is a very human hero. A relateable hero. You might have the world's biggest alphole but if he has a passion for teaspoon collecting then somehow, that makes him more sympathetic (or not as the case may be. I guess it depends if you like teaspoons). It also provides a very nice way for the heroine to relate to him. Perhaps she buys him a rare teaspoon for his collection? What a way to show you care! And it can also be a lovely point of similarity - maybe she collects plates?

The plot opportunities for little hobbies can be good too. Perhaps the teaspoon collecting is part of his conflict? He MUST have the best collection in the world because he has to be the best at everything because when he was a kid his father always made him feel second rate. Or perhaps he loves fishing because it makes him feel closer to his dead mother. Or he likes making jewellery because he's actually secretly creative and doing finance deals doesn't satisfy that part of him.

Hobbies can be great ways to set up character as well. What is it about teaspoon collecting that he likes so much? Perhaps he's very neat and has them all ordered and displayed beautifully and then the heroine comes in and messes them all up. Or maybe he's into music and is very techy, and has to have the BEST stereo equipment (come on, everyone knows at least one guy like this, right?), and then the heroine makes a perfectly innocent comment about his stereo which then gets her a rave for HOURS. And she's enchanted by his boyishness. ;-)

Obviously, in giving your hero a hobby, you do have to make it part of his character. I wouldn't give a CEO a stamp collecting hobby just because it was different. The stamp collecting would have to be part of the type of guy he is. Why stamps? Did he collect them as a child? Why does he still collect them as an adult? Etc, etc.

So what's the most interesting hobby for a hero that you've read? I read a Susan Napier years ago where the hero grew roses. It was awesome!

Ten Ways to Make Your Hero Suffer

Still nothing from SYTYCW but apparently the last responses are going to be sent out this week. I am feeling extremely nervous as some Rs without feedback have already gone out so - like everything in this business - there are no guarantees.

Anyway, as a kind of distraction, I thought I'd turn my thoughts to torture. As you do. Hero torture in particular. Now call me a sadist but torturing my characters is one of my all time favourite things to do, especially torturing my heroes because let's face it, who doesn't love a tortured hero? Yeah, there is such a thing as too much angst, I know, so it's a fine line. But still....tortured heroes....mmmm...*drools*...

Ahem.

So, how does one torture one's hero? Well here's my top ten list of ways to get the best out of your hero's emotional pain. :)

1. Give him a heroine who is the antithesis of everything he believes in but then give her a couple of qualities that the he can't help admiring. Watch his agonies as he tries to tell himself he doesn't like her. Or admire her. No freaking (or other suitable F word) way!

2. Have your heroine be utterly irresistable physically to him so that he can't helping wanting badly, no matter how much his brain tells him don't go there. Oh wants...but shouldn't...but I do...but I can't...etc...

3. Make the heroine totally indifferent/unaware/derisive of his usual slick moves so that he has to behave differently and thus be out of his comfort zone if he wants this fabulous, fascinating woman. Dammit!

4. Have him tell himself that he doesn't really want her, that it's just physical. And then put him in a situation where he realises that actually, it isn't. Oh noes!!

5. If he's being overly alpha, have the heroine tell him he's being a jerk and if he doesn't stop behaving like an ass, she's outta there. No one tells me what to do! Ever! But she's leaving and I'll never... Double dammit!

6. Get him in a situation where he has to talk about his feelings with the heroine. Hey, he's a guy. Worst. Thing. Ever.

7. Make sure he's totally comfortable with the relationship he has with the heroine. It's just about sex. It's just about being friends. It's just about being work colleagues. It's cool. It's fine. Everything's dandy. Then watch him squirm when you make him realise that he's falling in love.

8. Put him in a scene where he thinks he's doing something nice for the heroine and then have it backfire on him because a) he's misjudged the heroine or b) the heroine's conflict means it's actually the worst possible thing he could have done (see heroine torture) or c) he still hasn't learned that he has to do things differently from the way he's always done them if he wants this, particular woman. Lots of bleeding potential here. Can also lead into number 6 for added torture. Or number 10 for maximum angst.

9. This is a risky maneouvre but you can have him do something alpha that makes the heroine laugh at him. This can be good for uptight, buttoned up heroes. And in fact, can be a real growing moment if he figures out that actually, being laughed at won't kill him and that sometimes laughing at oneself can be a good thing. Who doesn't love a hero who knows when he's being a d*ckhead?

10. Have him realise he's in love with the heroine and know that there is no way that he will ever - EVER! - be with her. (Unless he does something totally and completely way out like risking his heart and telling her he loves her).

Naturally all of this depends on the hero, his conflict and his motivation. And some of these may not apply to some heroes. Hey, there are guys who actually quite like talking about their feelings! But usually I find that if I put my heroes in any one of these situations, they don't like it. Don't like it at all. Just being cruel to be kind though. Because the more you torture your characters, the more emotion you get from your story, the more your characters learn and the more wonderful your HEA. :-) In this case, the end justifies the means. Hehe.

Anyone else got any good torture suggestions? Bring 'em on!

Neutering the Bad Boy

It's funny the things you find out about your characters that you don't realise until you've written The End. Have done the HEA for the Hammer Pants ms (actually they're Hammer Capris since I've come up short on the word count) and figured I've been pulling back on my hero. I wanted him to be a bad boy - hey he knows it and has been trying to tell me so it's not his fault - but actually, he's not all that bad. In my efforts to make him sympathetic, I've neutered the poor man. Which kind of defeats the purpose of his conflict and may be one of the reasons I was struggling with the ms. Never a good thing to do with an alpha. So one of the many pieces of tailoring I have to do to the Hammer Pants to get them looking like Chanel is to give my poor bad boy back his cojones. He's not a happy lad, let me tell you, and he did not appreciate my efforts to contain him.

Such are the joys of the alpha male.

Anyway to give myself a bit of alpha practice, I've been redoing my Frenchman to suit Presents/Modern. Yes, it's quite different to writing MH but to be honest, I'm quite enjoying releasing my inner emo. As you know, I LOVE teh angst. Bring on the drama, the torture, the sexy darkness! You can't go too dark with MH - at least not as dark as I want - so letting it all hang out with a bit of Presents is actually quite liberating. Anyway, I always had a sneaking suspicion that the Frenchman erred on the Modern side of the Modern Heat line so it's not been too much work to pull him completely over it. And I have to say, he's happier as a Modern hero. His voice in my head wasn't ever MH and so the rest of the ms is not all that MH is tone either. In fact I'm secretly thinking of sending the first chapter to SYTYCW, just to see what happens. Hehe.

So what's everyone else doing? Neutered any bad boys lately?

The Rudeness of the Frenchman

I'm not talking about Frenchmen in general, just about my particular Frenchman. And his problem with rudeness. Because sadly, in the first chapter he is not at his best and is quite rude to the heroine. Now some people who have met him had no problems with his rudeness and yet others found it difficult. So what's a girl to do?

He is rude for a reason, naturally. The heroine meets him when he is in considerable pain. For an alpha male who is the leader of a huge corporation, a man for whom control over any situation is vital to him, having some stranger see him when he is in helpless and in pain is kind of his worst nightmare. Especially when she tries to help him. So yeah, he's rude. He doesn't want her help. He just wants to be left alone. Unfortunately though, this makes him unsympathetic to some people. I've tried to make him less rude but he won't have a bar of it. He hates the situation he's in and makes no bones about it.

So what to do? I do have his POV a bit later in the chapter so you get a glimspe about why he's so rude and I think I can make it clearer but maybe it's too late by then. Certainly by chapter 2, he's feeling very guilty at his lapse in manners but again, perhaps it's too little too late?

But you know, I don't think I can pull back his behaviour. I like him being helpless. He needs to be too because part of his journey is learning he can trust the heroine - and how better to do that have her rescue him when he needs help? It's just that he really doesn't like it, especially because he's not in control of the situation.

Sigh. What do you reckon? Shall I take a whip to him and make him a bit nicer? That's if I can. You ever tell an alpha male what he should or shouldn't do?

Building a Hero

I've decided I really like my new hero. Not that I didn't before, I just like him even more now I know where he's coming from. In my last post I mentioned I was going to try sorting out the conflicts first for a change, then build the characters around that, and then - lastly - figure out a plot. This is a big thing for me. Normally I get an idea for a opening scene and start writing immediately, finding out about my characters as I go along. Now this may work for some people, but it appears this method does not work for me. And I have the Rs to prove it!

Anyway, to avoid the horrible 60 million jigsaw piece scenario, I figured out the hero first, starting with his internal conflict. The way I like to think about good old IC is to think about a person's most basic fear. And then what the character does in order to fight that fear. My hero is afraid of being abandoned because it makes him feel unloved. So what does he do in order to fight that fear? He makes sure that no one leaves him. How does he do that? By being in control in his relationships. Remaining in control is his main motivation throughout the story and it's this need that will lie at the heart of all the actions and decisions he makes. It will also be part of the lesson he needs to learn - in order to have a healthy relationship with the heroine, he needs to learn to give up that control and get over his fear of abandonment.

Now I've figured out his fear and his motivation, I can build up the backstory. Such as why he has a fear of abandonment. How the need for control has worked throughout his life. How it has affected his previous relationships. Working out this conflict and how it has shaped my hero can also give me clues as to what qualities he admires in other people (heroine alert!). Qualities like loyalty (people who are loyal don't leave), dependability (people who are dependable are less likely to leave), tenaciousness (again, makes people less likely to give up or leave!). And also qualities that he may not like in other people (again, heroine alert!).

Of course, I'd like to say that his IC was all worked out first and then I got the idea for making him a French aristocrat but I can't kick my old habits and the whole French thing kind of developed alongside the rest of it. I think the important thing though is that the fact that he is descended from French aristocrats and is the head of a huge luxury goods company adds colour and maybe a few traits but it doesn't really have any bearing on his most basic conflict. So why did I make him French and head of a huge company? Well, I've never written a non-English character so I thought I'd make him French since I like the accent. :-) Plus if he's wealthy then I can add French Chateaus etc for the fantasy factor. The aristocracy bit and the head of the company will add to his alphaness naturally. Of course now he's sounding less Modern Heat and more Modern! Argh!

Anyway, I now have one piece of the jigsaw sorted. The next thing I have to do is build my old arch-nemesis: the heroine. I can hear her evil laugh already...

Oh, that's right, I was going to ask about nationalities. What's your favourite when it comes to heroes?

New Hero Love

New story love is a special kind of love. So too is new hero love. And I adore my new hero. Or should I say, I adore my new-old hero, cause he's not really new, having made his first appearance in my Feel The Heat entry last year. However, he IS kind of new in that he actually has some internal conflict. Plus I've also given him a sympathetic in with the heroine, because in his first incarnation, apart from his astoninishingly good looks, he didn't have anything that she could admire about him. Or even like. And let's face it, if your h&h are going to be antagonistic, there has to be something there that each finds admirable about the other otherwise your love story isn't going to be very believable.

It's all about the sympathy factor. Is your character sympathetic? This is doubly important (I think) when you've got a rude hero. And my hero is one of those lazy, arrogant, sarcastic types because, sad to say, I really like those kind of heroes. Mostly because their downfall into love is so delicious...
Anyway, I think this touches on one of the seven sins that I Heart Presents listed about the comp entries - a hero who gets irrationally cross and treats everyone like dirt. This isn't alpha. This is just being an a*hole. So how to stop your sarcastic hero from coming across as a guy you'd just want to kick? Give him motivation. Why is he being so rude? Is he sick? Tired? Worried about something else? Angry? And if he's angry, why is he angry?
For dear Alex, his reason for being an ass is that he's worried about his father and having to deal with a bunch of protestors who are bothering him with what he thinks of as inconsequential problems is the last thing he wants to think about. Especially as one of the protestors is very, very attractive.
True, this isn't an excuse for his rudeness but at least there is a reason behind it. And the reason is the 'in' with the heroine because when Kate discovers it, she is immediately sympathetic. Family is important to her and she finds his concern for his father attractive.

I should confess also that the other reason I love sarcastic heroes is because they do make the dialogue fun to write. Especially when you pair them with an equally quick heroine. Oooh, yum, yum. I love my dialogue - can you tell?
So what's your favourite type of hero then? Do you like yours with lashings of sarcasm? Or are you more into the strong, silent type?

Yet Another Post About Heroes

Yes, I know, I've probably posted this before but I thought I'd do another one simply because I love a good hero. Always have, always will. I like a good heroine, don't get me wrong, but baby bring on the hero because that's what I read romance for.

Now apparently I do a good hero - according to the editors. And my last (sadly deceased) manuscript had a 'perfect Modern Heat hero', so I guess I must be doing something right with 'em. But it seems that creating a good, Modern Heat alpha male is a problem for a lot of people (let's not go into my difficulties with heroines okay?). Kate Walker did a fabulous blog post about alpha males so I won't go into that either but here's a little bit about how I begin doing mine.

Dr Jax (my husband for those who don't know and no, that's not his actual name) reads all my manuscripts and he often tells me that I manage to get into a guy's head really well - which is pretty much essential in creating a good hero. And that's how I often start. I imagine myself as my hero - how would he feel? How would he think? Guys are not so different, their emotions are the same as ours and essentially they want the same things as we do. They're human right? Okay, at least semi-human. ;-) Their key difference is in the way they express themselves and in some of the actions they take. For example, my heroes are used to taking charge of their own lives. They make decisions and take action, they don't hang back and wait for someone else to do it for them. But they also find it difficult to talk about their emotions because guys generally aren't very good at that kind of thing.

The other thing I find helps me with writing them is very basic - you have to write what you find sexy. If you don't find alpha males at all sexy then creating a convincing alpha male hero is going to be very difficult. If you don't love your hero then no one else will either. I like strong men. I like wounded, flawed men. I like men who take charge. I like intelligent men who have a sense of humour. I like arrogant, witty men. And most especially I like the confident, gorgeous guy who always has a come-back, who thinks he knows everything there is know, and yet who can be brought to his knees by the heroine. Mmmm, yum. Everything that I find sexy in a man goes into my hero. Now, other people may not find him as sexy as I do, but that's okay, everyone's version of sexy is different. But I think if you find writing an alpha male hard, you have to ask yourself why. Is it because you don't actually like alpha males? Or is it because you just can't get into his head?

If it's the latter, close your eyes. You're sitting in a bar. You're not worried about how you look because your looks aren't important to you. You're not worried about your clothes either because clothes are just clothes and they looked fine when you put them on that morning. You're not anxious about what to do if a woman approaches you because you always know what to say. In fact, there are more than a couple giving you the eye right now but you're not interested in them, despite the fact that they're gorgeous. No, because through the crowd you've spotted someone. A woman who is interesting to you in a way you can't quite put your finger on. It's irritating you because you can't figure it out and you hate not being able to figure stuff out. Then again, you do love a challenge, a puzzle, figuring out how things tick. This woman is lovely but it's not her beauty that draws you (beautiful women are a dime a dozen in your world), it's the puzzle she represents that holds your interest. And you want to figure out that puzzle. But she's surrounded by her girlfriends and they've already warded off quite a few approaches this evening. So what do you do?

What would Luke do? :-)

I Am a Rock. I Am An Island.

It's hard when you have a hero who won't open up - like Lorraine said in her post, how is the heroine supposed figure him out when he won't tell her anything?? I've saddled myself with a particularly difficult customer. My hero is a climber and they are notorious for being the strong, silent type. Not that he's very silent, he's just used to dealing with his difficulties on his own and he doesn't - N. O. spells no - want to talk about the accident that killed his mother on K2 (second tallest mountain in the world). See the mountain shot to the right? Well that's K2 and he's going to climb it, just see if he doesn't.

Anwyay, all this makes it extremely difficult when I have to convey this past to the heroine. Because why would he tell her? What would Luke do? He wouldn't tell her, that's what! So I've had to rely on a third party. I have seen this method used in other stories so I'm hoping it's okay. And it's not that someone else tells her, it's a passing comment made by someone that sets off a whole lot of tension in the hero that the heroine picks up on, which she then confronts him about. He eventually tells her in strictly non-emotional terms just so she'll shut up about it basically and stop asking him questions. I think it works - hope so!

But now I have come to another dilemma. How do you get a heroine who is all about safety to continue seeing a guy who is all about risk? Especially when she knows she's falling for him and that he doesn't want anything but an affair. Argh!!! Think the lust card might have to be played.

Apparently you can get a computer program that will just churn out M&Bs according to that well known 'formula'. If anyone can find said program can they let me know?? I could sure use it right about now. ;-)