Talk about timing. I go camping with the family (let us not mention tents and the dismantling of said edifices in the rain) and the next day find out that I have won a full request from a pitch competition! Argh!!!
Why the argh? Well, I'm camping for a week with patchy internet access and no access at all the manuscript I pitched! Cue more argh! The only thing I could do was sit in my tent and think fiercely about all the tweaking I needed to do for it. Sigh...
Anyway, this is all to say that having just returned from my trip, I am now heading in to the writing cave to polish up my ms and make sacrifices to the gods of publication for a little bit of success. Wish me luck!
PS. Many thanks to Jami Gold for running the competition and also to the editors at Entangled for providing such a great opportunity!
PPS. Congrats also to Jo P for her successful pitch too!
Wednesday, January 25, 2012
Monday, January 16, 2012
The Big Seckrit
You know the big secret? The one that our hero hides because he doesn't want anyone else to know? Or the one that the heroine never talks about and is afraid someone will find out? Like, the hero used to steal cars and one time, when he was chased by the cops, he hit someone and then ran away because he was afraid of getting caught. Or the time the heroine stole something from a shop because she was poor and needed to eat, and then kept doing it because of the rush?
They're usually BIG SECRETS. And the characters think they can NEVER TELL anyone about them because then...I don't know, the world would explode or something. You get the idea.
Secrets are cool and neat and can drive conflict really well. And it's tempting to keep them until the very end of the book so you can have the BIG REVEAL, where the character will finally TELL ALL and the reader will go 'ah ha! So that was the problem all along!'.
The problem with secrets is that although they are cool and neat and drive the conflict, they can also hide the conflict as well. The true conflict. Because it's not so much the hero's hit and run that's the issue as why he ran away after he hit someone. Same with the heroine and her shoplifting. Why did she need the rush? It's what they DO in response that's the important bit, not the secret itself.
But so often the secret becomes the whole of the story and the more interesting questions like why did the hero run or why did the heroine keept stealing, get lost under the big reveal. Sometimes it's the secret driving the story, not the characters themselves. Which is easy to do because it's fun to keep it from the reader. And it's fun to keep it from the other characters. Makes creating tension really a piece of cake too because all you have to do is threaten the BIG SECRET and hey presto, instant tension.
It's really easy for the big secret to become a crutch for conflict. If you have your characters going to extraordinary lengths to hide their secrets, if you have to manipulate the plot in order to do the same then you really have to ask yourself why. What would happen if the big secret was discovered halfway in? Would the book end? If so, then either you're not going deep enough into the conflict, or the book itself relies totally on the big secret which can also be not so good.
I guess it depends on what type of book you're writing, but for character driven stories I'm a big fan of getting that big secret out in the open when it's appropriate (not manipulating plot and characters to hide it). Because when the big secret is finally out, then you can start dealing with the real meat of the conflict - why did you run away after you hit that person? What were you scared of? Why did you like the rush of shoplifting? What did it give you that the rest of your life didn't?
My chess ms was a book with a character with a big secret. The hero did something bad in his past and he didn't even tell me what it was until the end. So I had to go back and rewrite it so he told it earlier, beacause the bad thing he did was the symptom of a deeper issue he had. A deeper fear. Even now I'm not sure I got it out early enough - but then again, he was a reticent kind of guy and it wouldn't have been something he would have told just anyone. I guess only time will tell with that one.
Anyway, I suppose the real thing to watch for is to make sure that when one of your characters is nursing a secret, you don't have that as the entire conflict (unless you're writing a murder mystery and they're the murderer). Ask yourself why the character is keeping it a secret in the first place? Do they even care what people think of them? What would happen if everyone knew? And if the answer is 'my book would end' then you know you're in trouble. :-)
Do you have a favourite big secret book? When was it revealed? And if you say right at the end and it was still cool then I'm sorry but I'm going to have to kill you. :-)
They're usually BIG SECRETS. And the characters think they can NEVER TELL anyone about them because then...I don't know, the world would explode or something. You get the idea.
Secrets are cool and neat and can drive conflict really well. And it's tempting to keep them until the very end of the book so you can have the BIG REVEAL, where the character will finally TELL ALL and the reader will go 'ah ha! So that was the problem all along!'.
The problem with secrets is that although they are cool and neat and drive the conflict, they can also hide the conflict as well. The true conflict. Because it's not so much the hero's hit and run that's the issue as why he ran away after he hit someone. Same with the heroine and her shoplifting. Why did she need the rush? It's what they DO in response that's the important bit, not the secret itself.
But so often the secret becomes the whole of the story and the more interesting questions like why did the hero run or why did the heroine keept stealing, get lost under the big reveal. Sometimes it's the secret driving the story, not the characters themselves. Which is easy to do because it's fun to keep it from the reader. And it's fun to keep it from the other characters. Makes creating tension really a piece of cake too because all you have to do is threaten the BIG SECRET and hey presto, instant tension.
It's really easy for the big secret to become a crutch for conflict. If you have your characters going to extraordinary lengths to hide their secrets, if you have to manipulate the plot in order to do the same then you really have to ask yourself why. What would happen if the big secret was discovered halfway in? Would the book end? If so, then either you're not going deep enough into the conflict, or the book itself relies totally on the big secret which can also be not so good.
I guess it depends on what type of book you're writing, but for character driven stories I'm a big fan of getting that big secret out in the open when it's appropriate (not manipulating plot and characters to hide it). Because when the big secret is finally out, then you can start dealing with the real meat of the conflict - why did you run away after you hit that person? What were you scared of? Why did you like the rush of shoplifting? What did it give you that the rest of your life didn't?
My chess ms was a book with a character with a big secret. The hero did something bad in his past and he didn't even tell me what it was until the end. So I had to go back and rewrite it so he told it earlier, beacause the bad thing he did was the symptom of a deeper issue he had. A deeper fear. Even now I'm not sure I got it out early enough - but then again, he was a reticent kind of guy and it wouldn't have been something he would have told just anyone. I guess only time will tell with that one.
Anyway, I suppose the real thing to watch for is to make sure that when one of your characters is nursing a secret, you don't have that as the entire conflict (unless you're writing a murder mystery and they're the murderer). Ask yourself why the character is keeping it a secret in the first place? Do they even care what people think of them? What would happen if everyone knew? And if the answer is 'my book would end' then you know you're in trouble. :-)
Do you have a favourite big secret book? When was it revealed? And if you say right at the end and it was still cool then I'm sorry but I'm going to have to kill you. :-)
Thursday, January 12, 2012
Rethinking The 10%
Last year I posted a somewhat gloomy post about how getting published was 30% talent, 30% hard work, 30% persistence, and 10% of luck (or something like that - don't ask me to check). And that the problem I had with that equation was that the 10% was something you had no control over. It might happen. Or it could never happen. It all depends on a combination of the right manuscript, the right publisher, the right editor, at the right time.
Or, in another analogy, a combination of wind speed, trajectory, and the weight of the pig.
Yeah, gloomy, depressing. And I am a great one for looking on the depressing side because sometimes you just don't want to hope.
Luckily I have a mother who is the most incredibly supportive person you could ever want to meet (hi Mum!) and something she said to me last night got me thinking about that old 10%. She reckoned that if luck is involved, all it means is that you have to spread your net wider until you eventually catch something. The wider the net, the greater the chance.
I know, people have been saying this to me for a while now and I have been listening. It's just that I'm a person who gets very focussed on one thing and shifting that focus can be difficult. But this year I'm going to give it a go. This year I'm going to try something a little different.
And starting it off is going to be my first attempt at a novella. I've never really liked short stories to be honest (except for Roald Dahl) - I like my stories long. And as far as writing one...I have difficulty with keeping under 50k let alone writing reeeeeaaaallly short. But I had an idea for a shorter story a couple of weeks ago and...well...gotta widen that net, right? Besides, as my six year old keeps telling me, 'only try, Mummy. You have to try'. :-)
So, anyone else widening their net and trying something different? If so, what is it? Share!
Or, in another analogy, a combination of wind speed, trajectory, and the weight of the pig.
Yeah, gloomy, depressing. And I am a great one for looking on the depressing side because sometimes you just don't want to hope.
Luckily I have a mother who is the most incredibly supportive person you could ever want to meet (hi Mum!) and something she said to me last night got me thinking about that old 10%. She reckoned that if luck is involved, all it means is that you have to spread your net wider until you eventually catch something. The wider the net, the greater the chance.
I know, people have been saying this to me for a while now and I have been listening. It's just that I'm a person who gets very focussed on one thing and shifting that focus can be difficult. But this year I'm going to give it a go. This year I'm going to try something a little different.
And starting it off is going to be my first attempt at a novella. I've never really liked short stories to be honest (except for Roald Dahl) - I like my stories long. And as far as writing one...I have difficulty with keeping under 50k let alone writing reeeeeaaaallly short. But I had an idea for a shorter story a couple of weeks ago and...well...gotta widen that net, right? Besides, as my six year old keeps telling me, 'only try, Mummy. You have to try'. :-)
So, anyone else widening their net and trying something different? If so, what is it? Share!
Friday, January 6, 2012
A Romantic Start to 2012
So, this is what 2012 is like... *walks around* *sniffs the air*
Okay, not too bad so far. No rejections at least so that's something. Still, the year is but a nipper which means there's plenty of time for Rs to come rolling in... Sigh. Positive much?
On the up side, my New Year started beautifully and romantically with the wedding of very dear and close friends of mine. It was organised in a week, the bride made her own bouquet out of felt and wire, drove herself to the wedding, and cleaned up afterwards (along with her new husband and guests!). Even though there was no notice to speak of and it was in the middle of the summer holidays, 65 people still turned up, all bringing a plate of nibbles to share! It was about 3 hours from start to finish and although my friends would shudder with horror at the very mention of them being romantic (they're far too practical) I actually secretly thought they were. Very romantic. :-) It quite inspired me to write.
I was also pleasantly surprised a couple of days later to meet someone who, when they asked me what I did, burst into a happy shriek and confessed that she was a romance reader and had just bought herself a whole stack of Mills and Boon to read over the holidays. Now since confessing to reading romance in NZ is somewhat akin to confessing you like torturing small animals in your spare time, it was really great to meet another like-minded individual and have a chat about how there was nothing wrong with it! The reading romance, not the torturing of small animals.... Ahem. Of course my unromantic friend (whom we were staying with) then told the romance reader she should read my writing. And you know what? I said no. Because I found out I'm actually quite sensitive about people reading my stuff when it's not really ready. And the story I was working on wasn't ready. Plus it had a billionaire in it and this lady didn't like alpha billionaires (though I mean really, come on, what's wrong with an alpha billionaire I ask you??).
Still, I was moderately tempted to show her because it has been a story I've been enjoying writing. Quite a bit actually. And the billionaire isn't really a billionaire, he's a prince. And the heroine is a bodyguard who's one tough chick. It's the kind of story that makes you feel quite pleased with yourself for like....oh, at least the next five minutes. ;-) Or until the R rolls in. But it would have been quite interesting for someone I don't know that well to have a look at it and see what she thought. Then again, she might have hated it because it does require some buy-in from the reader to make the fantasy work...
I guess that's a whole other post though.
Still, a wedding and a nice chat about romance were perfect starts to my year. What about yours?
Okay, not too bad so far. No rejections at least so that's something. Still, the year is but a nipper which means there's plenty of time for Rs to come rolling in... Sigh. Positive much?
On the up side, my New Year started beautifully and romantically with the wedding of very dear and close friends of mine. It was organised in a week, the bride made her own bouquet out of felt and wire, drove herself to the wedding, and cleaned up afterwards (along with her new husband and guests!). Even though there was no notice to speak of and it was in the middle of the summer holidays, 65 people still turned up, all bringing a plate of nibbles to share! It was about 3 hours from start to finish and although my friends would shudder with horror at the very mention of them being romantic (they're far too practical) I actually secretly thought they were. Very romantic. :-) It quite inspired me to write.
I was also pleasantly surprised a couple of days later to meet someone who, when they asked me what I did, burst into a happy shriek and confessed that she was a romance reader and had just bought herself a whole stack of Mills and Boon to read over the holidays. Now since confessing to reading romance in NZ is somewhat akin to confessing you like torturing small animals in your spare time, it was really great to meet another like-minded individual and have a chat about how there was nothing wrong with it! The reading romance, not the torturing of small animals.... Ahem. Of course my unromantic friend (whom we were staying with) then told the romance reader she should read my writing. And you know what? I said no. Because I found out I'm actually quite sensitive about people reading my stuff when it's not really ready. And the story I was working on wasn't ready. Plus it had a billionaire in it and this lady didn't like alpha billionaires (though I mean really, come on, what's wrong with an alpha billionaire I ask you??).
Still, I was moderately tempted to show her because it has been a story I've been enjoying writing. Quite a bit actually. And the billionaire isn't really a billionaire, he's a prince. And the heroine is a bodyguard who's one tough chick. It's the kind of story that makes you feel quite pleased with yourself for like....oh, at least the next five minutes. ;-) Or until the R rolls in. But it would have been quite interesting for someone I don't know that well to have a look at it and see what she thought. Then again, she might have hated it because it does require some buy-in from the reader to make the fantasy work...
I guess that's a whole other post though.
Still, a wedding and a nice chat about romance were perfect starts to my year. What about yours?
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