Haven't posted much recently - still suffering the post-Chessman slump. Which then morphed into another 'all my writing sucks' slump. Which morphed further into a 'everything sucks' slump. Cue endless rounds of Angry Birds and Pocket Frogs on Brad the iPad.
Anyway, this is wishing everyone a happy Christmas and New Year from me here in slump city. We are going up to Dr Jax's family's holiday home for Christmas - yeah, Christmas in NZ is lots of sun and sand and BBQs. Hehe - so I won't be around much for the next couple of weeks.
Hoping your holiday is happy and your New Year full of writing.
Me, I'm just hoping for a better year next year. Roll on 2012.
Wednesday, December 21, 2011
Monday, December 19, 2011
One Perfect Night - Happy Release Day!
Big day today folks! Time wish my awesome CP and fellow Sister, Rachel Johns a happy release day for her debut book, One Perfect Night, available from Carina Press.
It's a wonderful book so if you need a bit of Xmas cheer this season, or just need a fabulous, fun and romantic read, head over to Carina Press and buy this one!
See below for an excerpt and links!
It's a wonderful book so if you need a bit of Xmas cheer this season, or just need a fabulous, fun and romantic read, head over to Carina Press and buy this one!
See below for an excerpt and links!
Excerpt from One Perfect Night
“Don’t look now,
but Mr. McSexy just entered the building.”
“Blast.”
Peppa Grant spun round and did exactly what her best friend and colleague Izzy
had ordered her not to. Her breathing faltered at the sight of six foot plus of
unadulterated male who now towered at the entrance to the company’s function
room. An anxious hush fell over the previously buzzing room. As all eyes
snapped to him, she tried not to quake in her costume’s fairy shoes.
Until
half an hour ago, Cameron McCormac had meant nothing more to Peppa than the new
name at the very top of the office food chain. Now he was the man who owned the
car she’d sideswiped in the car park tonight.
The
dangerously handsome man who was making her pulse spike simply by standing in
the doorway. “Oh, God.”
As
Peppa pushed her barely touched glass out of reach and let her head fall onto
the table in front of her, Izzy giggled.
“It’s.
Not. Funny,” Peppa declared when she finally looked up. Her eyes sought the
company’s new CEO again and she felt her heart collapse into her stomach.
“You’re
right,” Izzy said, reaching out and stroking Peppa’s hair like a mother over a
sick child. “If I’d just put a
prize-winning dent in the big boss’s red, convertible pride and joy, I’d
probably be at Sydney airport boarding a plane or planning to hitch a ride with
Santa back to the North Pole.”
“Hilarious.”
Peppa shot her friend a sarcastic smile. “Please tell me McSexy has just
vanished up a chimney?”
Izzy
took a sip of her chocolate mocktail, her sea-blue eyes sparking with laughter
as she peered theatrically over Peppa’s head. “No can do. Looks like he’s doing
the rounds, handing out candy canes or something to all the children. Molly
must have put him up to it.”
Molly,
although old enough to be his mother, was Mr. McCormac’s personal assistant.
Rumor had it when he did anything remotely human, she’d put him up to it. She’d
been with the company longer than anyone and was the brains behind this event,
the annual Christmas party for children of Lyrique Recordings’ employees. Peppa
had a fleeting fantasy of leaving a message with Molly about her little
misdemeanor in the car park but that wouldn’t be right. And she hadn’t been
brought up to take the easy option.
“I’ll
do it now,” she said, resting a hand on her queasy belly as she pushed herself
off the stool and onto quaky feet. Although whether her shakiness was from
trepidation or her gorgeous boss’s sexy gait and air-of-confidence, she
couldn’t be sure. “Confess before I’m due on stage and then, if he has any
sympathetic bones in his body, he’ll let me entertain the kids before the
crucifixion.”
“You’re
such a drama queen,” sighed Izzy. “The top job pays well. He has enough money
to line his undies drawer in gold. You apologize. You give him the details of
your insurance company. You get on with your life. Simple.”
Simple.
Right. But Izzy didn’t know that Peppa had just switched to a budget insurance
provider. As she had never needed to claim in seven years of driving, the
switch had seemed a good decision at the time. The upside was low monthly
rates. The downside? A mammoth deductible on claims.
Well,
that faux-pas may not only have cost Peppa her car and her job, but paying back
the damage to the boss’s vintage Lamborghini would seriously endanger her
ability to pay her mortgage. Not to mention she’d have to put her plans for an
overseas holiday on hold—a holiday that had been all about helping her mind and
emotions recover from the battering of the past few months.
“I
think he’s looking at you.”
Izzy’s
words broke Peppa’s reverie. And of course she looked up, across the room, only
to find her gaze colliding with the Head Honcho himself. Her heart hitched a
beat. Despite the distance she could see the roguish tilt of his lips, the
slight frown of his distinguished black brows and that his devilish licorice
eyes were trained on her. Dark-chocolate hair, speckled with naturally
sun-kissed spikes, framed a face so chiseled it could have been carved from
stone. A man so in-control of his world he had no reason to question it. Heat
flooded her cheeks and, not wanting to draw unnecessary attention, Peppa forced
herself to break her gaze.
If you’ve enjoyed this excerpt, you can read
the first chapter of ONE PERFECT NIGHT at Rachael’s website: http://www.rachaeljohns.com/pages/bookshelf.html
Or, you can buy the book at Amazon (http://www.amazon.com/One-Perfect-Night-ebook/dp/B005Z1CF2A/ref=sr_1_1?s=books&ie=UTF8&qid=1321790650&sr=1-1) or Carina Press (http://ebooks.carinapress.com/262D0727-23A2-4E9D-B75E-249FF29C76DF/10/134/en/ContentDetails.htm?ID=5BB8BC4C-4898-4073-8306-FECF92B5DC5B)
And to celebrate her debut release, Rachael is
blogging today at the following places, giving away a copy of ONE PERFECT NIGHT
at each spot:
AUTHOR BIO:
Rachael Johns is an English teacher by trade, a mum 24/7, a chronic
arachnophobic, a supermarket owner by day and a writer by night. She rarely
sleeps. Rachael received The Call from Angela James telling her Carina wanted
to publish her book on April Fools Day and, when she told her friends, half of
them wondered if it was a big joke. Luckily it wasn’t. As an active member of
Romance Writers of Australia, Rachael has finaled and placed in a number
of romance writing contests. Each success is uplifting and publication is her dream but even
if none of this happened, she’d still write. It’s a much better option than
ironing, which she refuses to partake in. Ever.
Thursday, December 15, 2011
The Magic Moment
It's a magic moment really. The moment when the manuscript you wrote with such excitement, the characters you thought were so fabulous, the conflict you just knew was SO different, the story you lovingly crafted into a work of art, suddenly turns to crap in the space of a second.
Something silly might have triggered it off. A sudden doubt about the reaction of your heroine. Or maybe the feeling that your hero's Big Secret is too big secrety. Or even the fact that you've never really got that ending parargraph just the way you like it. But whatever it is, something somewhere has abruptly rendered your story into a heap of steaming ordure.
If you think I'm going to tell you wonderful things about how to overcome that moment then you're sadly mistaken. I just wanted to complain about it. Mainly because my lovely chess ms, that I loved when I wrote my black moment, suddenly became The Worst Story in the History of the World. I don't know why. I suddenly thought that my hero was too dark. Too much of a b*stard. Too unsympathetic. There wasn't enough glamour in it to make it Presents. My heroine's conflict was waaaaay too light and unexplored, and she was also too shouty. The plot just dumb.
The crazy thing is that this all this could be true. I just don't know. All I know is that there came a moment where I fell out of love with it and wanted to rewrite the whole damn thing.
But I guess that's the moment where you either stop working on it and send it off. Or you put it away. Either action determines the worth of the story. Sending it away magically makes the story even worse than you thought it was. Putting it in the drawer somehow makes it fabulous again. Because when you take that story out and read it again after a week or four, it's amazing how amazing it turns out to be. And you wonder how you ever doubted it.
Then you send it off and it magically becomes crap again.
Writers are magicians.
So do you work your magic on your mss too? Or is it just me?
Something silly might have triggered it off. A sudden doubt about the reaction of your heroine. Or maybe the feeling that your hero's Big Secret is too big secrety. Or even the fact that you've never really got that ending parargraph just the way you like it. But whatever it is, something somewhere has abruptly rendered your story into a heap of steaming ordure.
If you think I'm going to tell you wonderful things about how to overcome that moment then you're sadly mistaken. I just wanted to complain about it. Mainly because my lovely chess ms, that I loved when I wrote my black moment, suddenly became The Worst Story in the History of the World. I don't know why. I suddenly thought that my hero was too dark. Too much of a b*stard. Too unsympathetic. There wasn't enough glamour in it to make it Presents. My heroine's conflict was waaaaay too light and unexplored, and she was also too shouty. The plot just dumb.
The crazy thing is that this all this could be true. I just don't know. All I know is that there came a moment where I fell out of love with it and wanted to rewrite the whole damn thing.
But I guess that's the moment where you either stop working on it and send it off. Or you put it away. Either action determines the worth of the story. Sending it away magically makes the story even worse than you thought it was. Putting it in the drawer somehow makes it fabulous again. Because when you take that story out and read it again after a week or four, it's amazing how amazing it turns out to be. And you wonder how you ever doubted it.
Then you send it off and it magically becomes crap again.
Writers are magicians.
So do you work your magic on your mss too? Or is it just me?
Friday, December 9, 2011
Checkmate
Yep, my chess player has finally been checkmated. Thank God. Here's a snapshot of some ms stats:
*Number of times entire ms rewritten - 3
*Number of times beginning rewritten - 6
*Size of 'deleted scenes' folder - 227k
*Number of times hero/heroine conflict changed - 3
*Number of times I wanted to kill hero/heroine - 20
*Number of tantrums pulled while writing - 50
*Number of times I wanted to give up in disgust - 100
*Number of times I DID give up in disgust - 100
*Number of times cried while writing - 5
*Number of working versions of present ms - 8
*Number of titles decided on - 0
So there we go. That's my chess player in a nutshell.
I know, some people are probably going to think I'm out of my tree for writing a chess playing hero. Probably some editors are going to think I'm out of my tree too. Perhaps I am. But one thing's for sure, I've learned a hell of a lot writing this monster, about conflict, about pacing, about tension, about character. And most especially, I've learned to be able to tell when I'm holding my characters back and not letting them do what they want to do.
Who knows if anyone bar the CPs will ever get to read it? I hope it gets somewhere. If not in print, then on screen. I really do. But at this point in time, I'm simply not able to assess anything about this story.
I don't know if it's good. I don't know if it's bad. I know I like it. I know I like my cold bastard hero and my stroppy, explosive heroine.
Perhaps at the moment that's enough.
*Number of times entire ms rewritten - 3
*Number of times beginning rewritten - 6
*Size of 'deleted scenes' folder - 227k
*Number of times hero/heroine conflict changed - 3
*Number of times I wanted to kill hero/heroine - 20
*Number of tantrums pulled while writing - 50
*Number of times I wanted to give up in disgust - 100
*Number of times I DID give up in disgust - 100
*Number of times cried while writing - 5
*Number of working versions of present ms - 8
*Number of titles decided on - 0
So there we go. That's my chess player in a nutshell.
I know, some people are probably going to think I'm out of my tree for writing a chess playing hero. Probably some editors are going to think I'm out of my tree too. Perhaps I am. But one thing's for sure, I've learned a hell of a lot writing this monster, about conflict, about pacing, about tension, about character. And most especially, I've learned to be able to tell when I'm holding my characters back and not letting them do what they want to do.
Who knows if anyone bar the CPs will ever get to read it? I hope it gets somewhere. If not in print, then on screen. I really do. But at this point in time, I'm simply not able to assess anything about this story.
I don't know if it's good. I don't know if it's bad. I know I like it. I know I like my cold bastard hero and my stroppy, explosive heroine.
Perhaps at the moment that's enough.
Monday, December 5, 2011
When Your Hero is a Complete *$%#
Okay, I'm admitting this up front - I love a good b*stard. I really, really do. I like reading about them and I loooove writing them. There's is something very satisfying about a sexy, arrogant SOB who gets his comeuppance at the hands of the heroine. The powerful, autocratic alpha male brought down by some cool chick who becomes his Achilles heel.
For me nothing beats the thrill of reading when the hero does something particularly b*stardy and you're going 'no way! Did he really say/do that???' And you're shocked because wow, what a b*stard, but secretly you're kind of thrilled because you never thought he'd go that far and yet he does.
Maybe you don't find that thrilling but I do. And I admire an author who manages to pull off the b*stard and yet make him believable and sympathetic. I think it's a very fine line and probably depends a lot on the reader. One woman's hot button is another's 'whatever'.
Anyway, I'm writing this post because of my chess player. He is, to be blunt, a b*stard. And he's a b*stard to write as well because his character is very black and white (imagery!), not to mention screwed up. He does things where I have that 'I can't believe you just did that' moment. And for the past few iterations of this ms, I have been trying to pull back on him because...well...I'm afraid. I don't want him to go there because it's not 'heroic' or sympathetic. And yet every time I stop him the ms goes haywire because he's not acting in character.
So eventually I decided to let him have his head and it's made for a very interesting ms. Especially the end, where I broke him down totally and I finally figured out why he acts the way he does. And that, I have to say, was another 'I can't believe you did that'! moment. Yes, the b*stard was holding out on me and only revealed his true infamy in the last chapter and it's something that I need to consider whether to pull back or let be. I'm hoping I can pull it off. Only time will tell.
But the interesting thing has been figuring out how I can pull off a good b*stard without making him too unsympathetic and here are a few things that I reckon you need to make your b*stard hero work (as always, take with a grain of salt because, y'know, unpublished etc).
1. Motivation - you MUST have good motivation for him to do the things he does. Just because he's angry and he's an alpha doesn't work. Because deep down he's a decent guy - he has to be, he's the hero. So there has to be a very good reason for why he doesn't act like a decent guy at times. We may not like what he does, but if we understand it,we're more likely to forgive him.
2. Show some humanity - you need a save the cat moment. A moment where the reader can see his innate decency. It can be something he says or, more often, something he does. I'm particularly a fan of something nice he does for the heroine.
3. The heroine must be his equal - now, I'm not saying she needs to be a b*tch to his b*stard. She may actually be a quiet kind of heroine. I think this depends on what he needs as a character. Does he need someone to stand up to him? Or does he really need someone who forces him to be gentle? What can she teach him? I quite like the heroine who doesn't get stroppy when he's being an a-hole but kind of calms him like a horse-whisperer calming a wild stallion. Hehe. However you do it, she needs to be strong enough not to take his crap.
4. At some point he has to recogrnise his b*stardy - nothing is more annoying that a hero who behaves like an ass and gets away with it. Here is where you need your heroine to call him on it. Maybe not immediately because b*stards take time to wear down after all, but at some point he HAS to recognise when he's being an ass. And an apology is always nice.
5. Break him - this is the part I find most satisfying. The heroine must break him down, strip away the b*stard mask he's hiding behind, and find the true hero he is underneath. Maisey Yates has done a fabulous post on black moments so go read it because what she says is so true. You cannot hold back when breaking these kind of heroes. The b*stard hero will hold on to his b*stardy till the bitter end. And that's mainly because it's the b*stards that have the deepest conflict. The most terrible of wounds. He'll hold onto his secrets extremely hard because he's SO terrified of confronting them.
6. Give us an ending where he's finally the hero he was always meant to be - mainly so we can see these guys have embraced the fact that they're actually decent men and can now act like it.
So that's my beginners guide to writing a b*stard. Anyone else got any great b*stard tips??
For me nothing beats the thrill of reading when the hero does something particularly b*stardy and you're going 'no way! Did he really say/do that???' And you're shocked because wow, what a b*stard, but secretly you're kind of thrilled because you never thought he'd go that far and yet he does.
Maybe you don't find that thrilling but I do. And I admire an author who manages to pull off the b*stard and yet make him believable and sympathetic. I think it's a very fine line and probably depends a lot on the reader. One woman's hot button is another's 'whatever'.
Anyway, I'm writing this post because of my chess player. He is, to be blunt, a b*stard. And he's a b*stard to write as well because his character is very black and white (imagery!), not to mention screwed up. He does things where I have that 'I can't believe you just did that' moment. And for the past few iterations of this ms, I have been trying to pull back on him because...well...I'm afraid. I don't want him to go there because it's not 'heroic' or sympathetic. And yet every time I stop him the ms goes haywire because he's not acting in character.
So eventually I decided to let him have his head and it's made for a very interesting ms. Especially the end, where I broke him down totally and I finally figured out why he acts the way he does. And that, I have to say, was another 'I can't believe you did that'! moment. Yes, the b*stard was holding out on me and only revealed his true infamy in the last chapter and it's something that I need to consider whether to pull back or let be. I'm hoping I can pull it off. Only time will tell.
But the interesting thing has been figuring out how I can pull off a good b*stard without making him too unsympathetic and here are a few things that I reckon you need to make your b*stard hero work (as always, take with a grain of salt because, y'know, unpublished etc).
1. Motivation - you MUST have good motivation for him to do the things he does. Just because he's angry and he's an alpha doesn't work. Because deep down he's a decent guy - he has to be, he's the hero. So there has to be a very good reason for why he doesn't act like a decent guy at times. We may not like what he does, but if we understand it,we're more likely to forgive him.
2. Show some humanity - you need a save the cat moment. A moment where the reader can see his innate decency. It can be something he says or, more often, something he does. I'm particularly a fan of something nice he does for the heroine.
3. The heroine must be his equal - now, I'm not saying she needs to be a b*tch to his b*stard. She may actually be a quiet kind of heroine. I think this depends on what he needs as a character. Does he need someone to stand up to him? Or does he really need someone who forces him to be gentle? What can she teach him? I quite like the heroine who doesn't get stroppy when he's being an a-hole but kind of calms him like a horse-whisperer calming a wild stallion. Hehe. However you do it, she needs to be strong enough not to take his crap.
4. At some point he has to recogrnise his b*stardy - nothing is more annoying that a hero who behaves like an ass and gets away with it. Here is where you need your heroine to call him on it. Maybe not immediately because b*stards take time to wear down after all, but at some point he HAS to recognise when he's being an ass. And an apology is always nice.
5. Break him - this is the part I find most satisfying. The heroine must break him down, strip away the b*stard mask he's hiding behind, and find the true hero he is underneath. Maisey Yates has done a fabulous post on black moments so go read it because what she says is so true. You cannot hold back when breaking these kind of heroes. The b*stard hero will hold on to his b*stardy till the bitter end. And that's mainly because it's the b*stards that have the deepest conflict. The most terrible of wounds. He'll hold onto his secrets extremely hard because he's SO terrified of confronting them.
6. Give us an ending where he's finally the hero he was always meant to be - mainly so we can see these guys have embraced the fact that they're actually decent men and can now act like it.
So that's my beginners guide to writing a b*stard. Anyone else got any great b*stard tips??
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